photoblog : Suprada Urval Photography

Birds

Birds

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Birds on a electric line, Mission peak Regional Preserve, Fremont, CA

Hiking on a Saturday morning just after sunrise, at Mission peak Regional Preserve. Test drive of my LMMM setup. Simple, minimalist photos are so hard to take. But it is an aesthetic I seem to be liking more and more.

Technical Details:

Camera: Olympus E-P5
Exposure: 1/250s at f/?
Focal Length: 50mm (35mm conversion – 100mm)
Lens: Konica Hexanon AR 50mm f1.7 with Konica AR to Micro 4/3rds adaptor
ISO: 1000
Date: Dec 21, 2013

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In Preparation for Black and White Film Development

One of the rules/goals of the Leica Year is to shoot black and white film, and another one is to develop it myself with constant monitored settings. So before starting on my Leica year, I need to get acquainted with this exciting world of home film development.

I spent a few weeks reading up on what to do, and what I need. Here is the summary of my research.

Links I used to learn about developing film (I am sure you will find lots of others on the web – I used these the most):
- Developing your own film – a how to guide
- How to Choose Black and White Film
- How to start processing black and white film at home (I borrowed the sock hanger idea from here)

YouTube Videos which helped me (a lot!). Nothing like watching these videos (a lot!) to help internalize the process – that way, when you actually do it for the first time, it won’t be totally alien to your brain (kind of).

- How To Load 35mm Film Into A Paterson Tank System 4 – This video is highly recommended if you are an absolute, total, green newbie (like me!)
- Developing Black and White Film with Kodak D-76 – This video was very useful to me as well.

Equipment I bought:
- 1 Film Changing Bag off ebay – $18.99
Off Craigslist I bought for the following used for $35.00:
- 1 Paterson 600ml Graduat cylinder
- 4 1-quart size Darkroom Chemical Containers
- Paterson Super System 4 Multi Reel tank with 2 reels (tank can hold 3 35mm reels)
- Thermometer
- Tongs
- Sock dryer / hanger (20 peg, all plastic, round, two sets of rings) off amazon to dry film in the bathroom shower stall – 11.95
Chemicals
- Kodak D-76 powder to make 1 liter – $5.70
- Kodak Liquid Rapid Fixer Part A & B – 15.117
- Photographers Formulary FormaFlo wetting agent (4oz)- $4.30
Software
Smartphone app to help with timers, tracking, and what to do next – Massive Dev Chart Timer App – $8.99
Total Cost – $100.1 (Camera, Lens, film rolls not counted)

My plan is to scan the developed film. For this I plan to use the scanner I already have – The Epson V300 flatbed scanner with film holder. I now need to look into the world of film scanning – of course, after I develop my first roll!

Tip: Watch the YouTube video, and read the links – many times – before trying to develop film for the first time


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The Leica Year – Prelude

The LMMM challenge I set myself earlier this year was an attempt to figure out if I wanted to challenge myself with the Leica Year. Yes! I am ready (almost).

The source / inspiration for this challenge is a post by Mike Johnston in his TOP blog: ‘The Leica as Teacher’ post. Top make things harder for myself, I am combining this with the ‘Train your brain to guess exposure’ – exercise again set forth by Mike.

Here is a summary of rules / goals I plan to abide by:
1. Leica year is from March 24, 2014 to March 24, 2015.
2. Use one Leica Rangefinder for this one year- I bought myself a Leica M6 TTL.
2. Use the camera with only one lens, single focal length the whole year – Leica Summilux 35mm f1.4 is my choice.
3. Shoot only one type of black and white film – Tri-X 400
4. Develop my own film
5. Pick standard developer, standard time – Kodak D-76, (development time to be set later)
6. Do not use light meter for exposure – I will use my M6 with battery removed.
7. Carry camera everywhere.
8. Shoot 2-6 film rolls per week
9. In a notebook write down exposure settings , and maybe scene details for every shot
10. Proof roll films and file them in a notebook. File exposure notes as well.
11. Get 1-6 work prints per roll
12. Every 5-10 rolls or so, get a ‘nice print’ made

Another blog I found helped me formulate my goals and what I plan to do: Tripodplaces.

What do I get out of this?

Here is what Mike says:
“A year with a single Leica and a single lens, looking at light and ignoring color, will teach you as much about actually seeing photographs as three years in any photo school, and as much as ten or fifteen years (or more) of mucking about buying and selling and shopping for gear like the average hobbyist.”

and from here:

“If you’re a younger photographer, you may also have heard tales you found hard to believe, of grizzled old pros and hard-bitten photojournalists working in the days before light meters were common, guessing their exposures by looking at the light. If you’ve grown up with automatically-coupled, multi-segmented in-camera metering, letting the camera set itself and barely paying attention to what was going on, such feats may seem as unreal and unlikely as the exploits of Hercules.”

“…GSOTPANWASTOTZSS …”

“What is it? Essentially, it’s a way to train yourself to guess exposures, just like those semi-mythical pros from days of yore. Don’t guffaw—read on. If you’re willing to do the work to train your brain, guessing can actually be an appropriate substitute for more technically precise methodologies.”

and

“What’s so great about training your brain to guess exposures is, rather, the way it heightens your conscious awareness of what you’re doing, and your intuitive feeling for light. You’ve made yourself into a sort of servo-mechanism. As you go back and forth from guessing the light to inspecting your negs, guessing the light to inspecting your negs, you quickly perceive—visually, not based on numbers in a book or computer—what exposure each type of light requires. You acquire a real sense of how to handle difficult scenes. Your confidence grows and grows. ”

and finally,

“What’s really required is awareness. Either by taking notes or just remembering, you have to be fully mindful of what you’ve done—and then, of what you get”.

I like that. I would love to become one of those ‘semi-mythical pros’ who’s not mythical, and who’s not a pro! But I will settle for learning to be a better photographer – however much the ‘better’ might be compared to my skill now.


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