Archive for April, 2009

Fallen

Fallen
Fallen, by Suprada on Flickr

A redwood branch in snow, creating interesting patterns. Sequoia National Park.

Technical Details:
Camera: Canon Powershot G9
ISO: 80
Flash: Off
WB: Daylight

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Dead Twig

Dead Twig
Dead Twig, by Suprada on Flickr

A dead part of some tree standing by its lonely self. Sequoia National Park.

Technical Details:
Camera: Canon Powershot G9
ISO: 80
Exposure: f/2.8 @ 1/200s
Flash: Off
WB: Daylight

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Sequoia and Rocks

Sequoia and Rocks
Sequoia and Rocks, by Suprada on Flickr

Big huge boulders are dwarfed by the giant sequoias. The Big trees trail in the Sequoia National Park makes you appreciate how big the trees really are. The trees, you and the snow…not a soul in sight, not a human noise to be heard – just the whisper of the snow and trees …

Technical Details:
Camera: Canon Powershot G9
ISO: 80
Exposure: f/3.2 @ 1/160s
Flash: Off
WB: Daylight

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Creek between big trees

Creek between big trees
Creek between big trees, by Suprada on Flickr

The ranger at the Giant Trees Museum told us that the Big Trees Trail in Sequoia National Park is a very good hike, and very popular. The snow and the fog must have deterred lots of people for we saw very few people hiking there. The trail itself was buried under the snow, with interpretive signs, normally chest high – now at feet level.

In this snowscape, a creek cut the path through the snowy meadow, almost like a hot knife cutting through butter.

Technical Details:
Camera: Canon Powershot G9
ISO: 100
Exposure: f/3.2 @ 1/500s
Flash: Off
WB: Daylight

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Thomas Clavel- Photo Talk #17

This week’s interview is with Thomas Clavel. I first found Thomas’ work when going through his “Terre Mer Ciel” photographs of the “Foto Nova 19: An Exhibition by Bay Area Photographers” at Modernbook Gallery in Palo Alto. From there, I went on to Thomas’ website to spend a few hours browsing through his photographs – www.pictin.com.

Thomas’s “Terre Mer Ciel” photographs have been published in the 2008 Folio edition of Silvershotz Magazine. He also has a book called “Terre Mer Ciel: a Portrait of San Francisco“, presenting the Terre Mer Ciel photographs. This body has also been exhibited in 2008 at the Appel Gallery in Sacramento.

I urge you to look through Thomas’ website – www.pictin.com and look at his different projects, so different from each other, yet distinctive. You can also keep in touch through his Facebook blog follow him on Twitter.

Here is the interview and photos from his newest “Vapeurs” project.

Photograph by Thomas Clavel, All Rights Reserved
Photograph by Thomas Clavel , All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Tell me a little about yourself. How did you get into photography?

TC: A little by accident, and a little by fate. At 12 I wanted to have a point-and-shoot camera but instead my uncle and aunt offered me a fully manual SLR – a Praktica MTL-5. I struggled a bit, but I eventually learned how to really take pictures as opposed to snap them. Had my wish of a point-and-shoot camera be realized I would probably not have gotten into photography.

As far as I can recall I have always been fascinated by the visual arts. Knowing the odds of making it as a movie director, I never engaged in that way beyond high school. I was eager to communicate in a visual way and photography gave me that opportunity. Through that medium I am able to convey my vision and share it with my audience.

Today I’m very thankful to my uncle and aunt for their gift. And I certainly appreciate how in many ways photography is superior to motion pictures.

Photograph by Thomas Clavel, All Rights Reserved
Photograph by Thomas Clavel , All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Your photography cannot be easily classified into a particular type. Can you talk about how you choose your subjects for each of your series?

TC: Yes, you are right. Over the last 15 or 18 years my work has evolved quite a bit.

Early, I composed my photos around geometrical lines and perspectives. I was quickly drawn to water environments so some of my early work is focused on beach and water areas. I then built up my composition skills and moved on to urban and street sceneries. These were my formative years, the first ten years or so.

But I am convinced that mastering an art requires focus and so my next four series have been focusing on landscape photography – most of them in black and white. Landscape photography is a natural means for me to show how my view of the world is different.

How do I pick my subjects? A subject has to both have a personal connection and enable me to push my own photographic limits. When working on a new series I spend a tremendous time reviewing my own photographs. I am always very critical of my own work and my next subject will be the one that enables me to accomplish what I couldn’t with my previous series. Auto-critique is what makes me move from one subject to the next.

Photograph by Thomas Clavel, All Rights Reserved
Photograph by Thomas Clavel , All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: In each of your series, the look and feel of the photographs are very different – from lomo type to ‘traditional’ black and white. How do you achieve these different looks and why?

TC: Many photographers and the best ones are constraining their art to a specific look and feel. It is part of their art and also part of their photographic brand. Moving from one look-and-feel to another is part of my learning experience. I don’t try to apply lomo or infrared to my photographs. Rather I come up with a vision and my vision shapes the techniques I utilize, to realize that vision.

Photograph by Thomas Clavel, All Rights Reserved
Photograph by Thomas Clavel , All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Can you tell us about your current project “Vapeurs”? How did the idea come about? What is your goal for this series? What does it take to see a project like this from beginning to end?

TC:For a long time I have been intrigued by the fact that we cannot see either infrared or ultraviolet. Since we cannot see these colors, then the world around us is not really the way we see it. “Vapeurs” is about revealing this alternative world that we cannot see – with a focus on skyscapes because skies and clouds are the common denominator to what we all see every day. “Vapeurs” is about exploring what we’ve seen many times already and what most people probably don’t even pay attention to anymore.

It takes three things to take a project like this to the end. First clarity of my vision: understanding of what I am trying to show. Then flexibility: I don’t want to restrict myself to too many specific elements and I am open to experimentations. And third, patience.

Photograph by Thomas Clavel, All Rights Reserved
Photograph by Thomas Clavel , All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: You have photos published in Silvershotz magazine, a book out. Your work has been seen in a few exhibitions. How did you get to where you are today?

TC: In France we say that cathedrals are built one stone as a time. Being published, being represented or exhibiting must happen one at a time.

I first focused on my work, exploring who I am photographically speaking. Once I had that photographic personality matured, I tried to understand my surroundings. I took on workshops about the photography business, started to attend openings, and discovered other people’s works. I learned from others. The third step was to be organized and take action. Don’t contact galleries by random, look at what they do, understand they expectations. And build things one on top of the other: try to be published then use your publications to be featured in galleries and shows, and in turn leverage those shows to be published in other magazines.

But most important of all, always understand that you can only reach one person at a time. Reaching more people depends on how much your contacts will support your work. So be nice and open to their feedback.

Photograph by Thomas Clavel, All Rights Reserved
Photograph by Thomas Clavel , All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Any recommendations? (like Photographers, Photo techniques, Music, Books, quotes, food..anything?)

TC: One suggestion and two recommendations.

Many fellow photographers ask me “how did you do this?”, and then start talking about focal and aperture. What they should ask instead is “why did you show that?”. What prevails is the vision of the photographer, not his or her technique. The technique is not the end but a means to the end. Confronting your vision with that of other photographers is very helpful in one’s maturation process.

My first recommendation is Silvershotz Magazine. I have been very disappointed with American magazines and then I discovered this magazine at Border’s. Silvershotz is a bi-monthly magazine from the UK and distributed globally. I recommend reading it, for the quality of the work presented there is very good and very inspirational.

My second recommendation is the “History of Photography” class by Jeff Curto, professor at the College of DuPage in Chicago. I listen to them on iTunes. They are free and most enlightening. Like Jeff, I believe that understanding where photography is coming from is essential to the creative process. I highly recommend listening to his podcasts.

SU: Can you mention how people interested in your work can contact you?

TC: Yes please, people contact me! You can inquire about my work by contacting the Modernbook Gallery at info@modernbook.com. You can also write directly to me at thomas@pictin.com. Until March 29 some of my Terre Mer Ciel series is exhibited at Modernbook Gallery in Palo Alto, California (www.modernbook.com). My web site is there for people to visit (www.pictin.com), you can also follow my blog on Facebook (artist page registered under Thomas Clavel) and follow my tweet on Twitter (VividLight). Whether you like my work or not, I am always curious to hear about it and why.

Thanks Thomas!

And readers, we would love to read your comments!

[poll id="18"]


Sequoia in the Fog

Sequoia in the Fog
Sequoia in the Fog, by Suprada on Flickr

At Sequoia National Park, in April, I was delighted to find snow. We timed it just right that it has stopped snowing, but the clouds and fog had not yet moved away.

Hiking on the General Sherman Tree trail, I was surprised to see the good number of visitors. Though the trail path was icy and slippery, people of all ages including some seniors were walking around oohing and aahing at the sight of the giant sequoias. The snow, the fog, the sun, the red giant trees, the atmosphere was just right!

At the General Sherman tree, I had to stand and stare in awe, along. And then out comes the camera…click..click…Then a reedy feminine voice behind me says “Are you done yet? I can’t wait here all day for you to move. I need to take photos also….”.

Ummm….there are only a handful of people, and its a huge tree, really…its the worlds largest tree in terms of density. Oh well, lets say I was speechless on so many different levels.

Oh well, what does one do other than move on and admire more of those giant trees in the prefect setting?

Technical Details:
Camera: Canon Powershot G9
ISO: 80
Exposure: f/3.1 @ 1/200s
Flash: Off
WB: Daylight

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Leaf Drops

Leaf Drops
Leaf Drops, by Suprada on Flickr

Saturday April 11, my friend Yi and I headed out to Sequoia NP – our first time ever. After a beautiful drive from the bay area, we arrived at the Park entrance. The only campgrounds available were in the foothills section – Other campgrounds were above the snow line! We found our way to a beautiful campsite in the Potwisha campground – right next to the roaring Kaweah river, with trees and sun and moss.

After setting up our tent, we headed up into the mountains to see the actual Sequoia trees. The previous days it had snowed,but today the sun was out. We decided to hike the very popular “General Sherman Tree trail”. Walking amidst these huge redwoods, in the sunny, snowy slightly foggy weather is a beautiful experience. What is even more enchanting is to find the snow melting off trees and converging into droplets at the very tip of the needle shaped leaves – who said there’s no magic in this world?

Technical Details:
Camera: Canon Powershot G9
ISO: 80
Exposure: f/4.8 @ 1/25s
Flash: Off
WB: Daylight

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Jay Patel – Photo Talk #16

Here is this week’s interview with Jay Patel. I first found Jay’s photographs when looking through timecatcher.com. Jay’s work has appeared in VIAJES National Geographic, Unique Image Magazine, Timecatcher Calendars, Outback Photo, Nature Photographers Online Magazine, Art Business Review – and various other publications.

Jay’s work can be seen at his website www.jaypatelphotography.com. You can look at this link to see information about workshops offered by Jay and Varina. More exciting, to those in the California Bay Area – an upcoming “Intelligent HDR Seminar” to be offered in June of this year in San Jose. You should look at this link here to find out more about this very reasonably priced seminar: Information and Registration for 2 day seminar

Here is the interview.

Photograph by Jay Patel, All Rights Reserved
Photograph by Jay Patel, All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Tell me a little about yourself. How did you get into photography?

JP: Here is a biography that will answer this question: http://www.jaypatelphotography.com/about.html

Photograph by Jay Patel, All Rights Reserved
Photograph by Jay Patel, All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Your photography are predominantly landscape photos. How did you get interested in landscape photography? What keeps your interest?

JP: I love nature…Not just photography, but also hiking, backpacking and just being outdoors. So, Landscape photography is a natural extension to what I love. I also enjoy the challenge offered by the landscape photography of capturing such a wide dynamic range.

Photograph by Jay Patel, All Rights Reserved
Photograph by Jay Patel, All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Your photos have this exquisite light in most of them which bathe the subject matter. Can you talk about the technical aspects of making such beautiful photographs?

JP: There is no simple answer to this one. The primary subject of my photograph is light. I prefer to select right light over right location because under the right light, can make any subject matter or location look stunning. Every once in a while, when you combine this dramatic light with right location you get the results that are hard to reproduce.

Photograph by Jay Patel, All Rights Reserved
Photograph by Jay Patel, All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: You collaborate with your wife on workshops and articles. How does this influence your personal photography and photo shoots?

JP: We both critique each other photograph…and we can be pretty honest about what we like and what we dont like. We also share ideas about processing and presentation techniques. But there are differences – such as choosing the own subject matter and compositions.

Photograph by Jay Patel, All Rights Reserved
Photograph by Jay Patel, All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: You are a part of the team at www.timecatcher.com. Can you tell me a little more about the group, and how did your involvement in it come about?

JP: Timecatcher was formed by Patrick. He noticed my photograph on the Web and invited me to join the team. For the longest time none of the Timecatcher team member had met face-to-face…The entire project is managed and run online.

Photograph by Jay Patel, All Rights Reserved
Photograph by Jay Patel, All Rights Reserved, All Rights Reserved
Photos hosted on Flickr

SU: Any recommendations? (like Photographers, Photo techniques, Music, Books, quotes, food..anything?).

JP: The internet is the best source of information…the trick is to find the right information that meets your needs. Your local camera club can also be a great source of information for beginers.

SU: Can you mention how people interested in your work can contact you?
JP: We offer workshop and Intelligent HDR Seminars across US. You can find out more about these workshops and seminars at: www.jaypatelphoptography.com
Via Email: pateljj@msn.com

Thanks Jay!

And readers, we would love to read your comments!

[poll id="17"]


My first Photo Exhibit

I am pleased to announce that a few of my photographs will be exhibited on the back walls of Barefoot Coffee Shop, here in Santa Clara, all of April. I will be sharing the space with another artist (painter), Woody Miller.

Come join me for the artist reception at Barefoot on Saturday, April 4 from 7.00PM – 9.00PM. We can just hang out and try some of their excellent coffee and participate in activities.

And did I mention that all artwork exhibited at Barefoot is for sale!

Here’s the location info:

Barefoot Coffee Roasters
5237 Stevens Creek Blvd
(At Lawrence Expressway)
Santa Clara, CA 95051
408-248-4500
Landmark: In the same complex as the Bed Bath and Beyond on Stevens Creek Blvd and Lawrence Expwy

Hope to see you there on Saturday.